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+{NS} Where I grew up in the south, {BR} there was a right way to do things, and a wrong way to do things, {BR} and the right way was to do what your family and society thought you should do. {BR} And the wrong way was to do something different. {LG} {LS} {BR} By age thirty I had done most everything I was supposed to do. I'd overachieved in high school, {BR} I attended a prestigious college in the south, {BR} I had a good job, and I'd married well within the child bearing age. {BR} We'd married at my insistence of course, but neither one of us was fully on board. {BR} {LG} {LS} So except for moving up north to Boston, which caused my family to collectively take to their beds, {BR} I was on track with what we thought my life should look like, but I wasn't happy and I thought it was my career. {BR} In my family, I was expected to go into business. {BR} I had been in public relations for seven years, but I didn't like the work anymore. I mean I was good at it, {BR} but I was tired of working with clients and plus I was working with companies like retail banking, {BR} traffic reporting, {BR} hazardous waste recycling, {BR} nothing that really blew my skirt up {LG}. So I quit my full time job, and I started consulting, and I started taking classes to figure out what else I could do for a living. {BR} Now the only criterion for the classes was that the instructors and students {BR} could not know or care what the financial times was. {BR} I took needlepoint, directing, french. {BR} I found this brochure for the school of the museum of fine arts in boston, and I thought oh well this looks interesting. {BR} And I went to the school and I talked to the continuing education director and I asked him which class he thought I should take. {BR} And he said, you need to take art as process. {BR} We take burned out executives in that class all the time. {LG}
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+I sign up. {BR} It's my first day of art school, {BR} I do my best to look artsy. {LG} To fit in. {BR} But even though I am not wearing pearls, they are still emblazoned on my chest. {LG} And our instructor Rhoda introduces herself {BR} and she says there is no right way to make art, {BR} and there is no wrong way to make art. {BR} Now this makes me extremely nervous {LG} because I have been raised that there is a right way and a wrong way to do most everything. {LG} {BR} And then she says the class will focus on process, {BR} the process of art making, not the end result. {BR} Now this makes me even more nervous, because I have been raised to focus on results and not just any results, but the best results. {BR} And there are no grades. {BR} Things careen out of control. {LG} If there are no grades, how will I know if I'm overachieving? {LG} I need to know that I'm overachieving. {LG} {LS} We start with the basics, {BR} and in my entire life I had never held a stick of charcoal in my hand, and it feels good. {BR} And I survived the first week of simple art exercises and I'm enjoying myself. {BR} And the next week Bob, one of the three instructors says, today we're gonna do gesture drawings. Very fast drawings, about forty five second poses. {BR} And we're going to draw the energy and the movement and the essence of the figure, {BR} and I am thinking, what the heck is essence, {BR} and how the heck do you draw it? {BR} And a man, the artists model, starts to undress. {BR} And I say, well that's okay. You've seed a naked man before. You've even had sex with a naked man before. {LG} Your problem is, you don't know how to draw this naked man's essence. {LG} And everybody else apparently does know how to draw his essence. {BR} As they're all busily getting out their easels and knowingly getting out sheets of paper and charcoal and other drawing mediums with which they excel. {BR} And I'm just standing there like the proverbial deer in headlights. {BR} And I begin to watch and imitate because I am clueless but competitive. {BR} {LG} And so I ask Judy, who is standing next to me, and also a mature student, {BR} I say Judy, what are these supposed to look like, {BR} because of course I think there's only one right way to do this, {BR} and we're all gonna draw the same image. {BR} And she looks at me bewildered and says, they're all going to look different. I'm paralyzed. {LG} What is mine supposed to look like? {BR} Can't I just do a slide presentation for your board of directors? {BR} Maybe conduct a communications audit? {BR} Assess your customer service capabilities? These are things I know how to do, {BR} things in which I excel. {BR} And I like to excel, {BR} and there is no way I'm gonna excel drawing this naked man's essence. {LG} And I'm about to cry, {BR} and then the competitive side of me kicks in and says well just snap out of it you big wimp and do something. {BR} So I start making these hopeless stick figures every forty five seconds, because that's how fast the poses are, every forty five seconds. {BR} And every forty five seconds I feel like a total failure, {BR} which is a lot of times in one hour {LG}. It's eighty. {LG} And the shame is enormous and I'm mortified at how inept I am and I'm like beating myself up for ever trying anything different, {BR} for even attempting anything new, {BR} and I'm in literal physical pain {BR} I am so far out of my comfort level, {BR} I mean I actually hurt. {BR} And I'm about to cry again, {BR} and that's when Bob comes over and shows me what amazing teachers can do, I don't even know what he says, all I know is {BR} he talks me off the ledge {BR} and breaks the vice grip that has a hold of me {BR} and I start to draw. {BR} At the end of class Bob picks one of my gesture drawings {BR} to put up on the wall with a bunch of other student drawings so we can discuss them. {BR} No one laughs at me or my drawing, {BR} it actually holds its own. {BR} I have drawn a naked man, {LG} and I feel like I can do anything. {LG} {BR} 
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+But things at home start to get a little tricky. {BR} My husband is an art director, {BR} one of the reasons why I married him, {BR} I loved being with somebody artsy, {BR} he seemed so exotic and interesting, {BR} he was the creative one {BR} and I was the business one. {BR} But when I started going to art school all the roles were off, the balance of power completely out of sync. {BR} So class continues for the next six weeks and it's an emotional roller coaster, I mean my thinking is shifting and breaking apart and I cry every day. {BR} And my final assignment is a wall installation, which is a term I didn't know existed six weeks before. {BR} And it includes these three wall sculptures, these sculptures made out of the new york times business sections and the wall street journal, {BR} all painted black. And they're bound in these really tight boxes, {BR} and each piece gets progressively more undone until the final piece explodes. {BR} And Bob the instructor that talked me off the ledge sees it, {BR} and he says, Tricia, you know, {BR} you really ought to apply to the museum school. {BR} Well, this thought had never occurred to me before, I mean in the back of my mind I'm gonna end up in business school, that {BR} this is a once in a lifetime event, I go back to my normal life, and {BR} I'm highly suspicious {BR} and then it occurs to me what's happening. {BR} He's hitting on me. {LG} I have no artistic talent at all, {BR} he's just flattering me until he can get lucky. {BR} And this theory sticks until I find out he's been in a committed relationship for the past eighteen years {BR} with his boyfriend. {LG} So then I start thinking of other reasons why they may want me to apply. {BR} Maybe they think I have a lot of money, {BR} and I'll be a big donor, cause I was working at harvard business school at the time, or {BR} maybe they think I know people who will be big donors, {BR} and so while I'm using all of my creative energy {BR} trying to imagine why I'm not creative, {BR} Charles, one of the instructors, comes up to me and says Tricia, you really ought to apply to the museum school, {BR} I mean you know you're an artist, you're one of us. Panic begins to set in. {BR} And I enroll in art school as a part time student but I'm still consulting. {BR} And I'm both excited {BR} and traumatized {BR} because for the first time in my life I am not following the rules. {BR} And I say to my dear friend Sarah, who's also a southerner. I say {BR} Sarah, {BR} I am so afraid of being different than everybody else. {BR} And she says oh Tricia, {BR} I'm so afraid of being just like everybody else. {BR} And my marriage begins to explode. {BR} And part of the reason is I'm not supposed to excel beyond men. {BR} Definitely not beyond my husband, but {BR} I have places I wanted to go, and he just wasn't moving fast enough, {BR} I kept pushing him to move faster, so I could move forward, {BR} and one day he just says to me, Tricia, you just want me to go places I don't wanna go.
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+At art school, since we don't have grades, we have review boards. And at the end of each semester we put up all the work we've done and {BR} two instructors and several students review the work, give us feedback, and guide us on our creative path. {BR} And I'm driving to my review board in the jeep I've purchased for the yet to be conceived children I assume I'll have. {BR} But instead it's piled high with artwork. {BR} And at my review board one of the students writes this on his review board sheet: {BR} you seem to be a little frantic. {LG} {BR} Very perceptive. {BR} It has something to do with control. It's okay to let go, {BR} you're expecting this to be black or white, but the process won't allow that. You've got to let go. {BR} I'm not sure if he's talking about my artwork or my marriage. My husband and I separate, {BR} and a dear friend of mine says, you know Tricia I love my husband, {BR} and I love my children, but I never thought I had options. You have options. And she's right, because even though {BR} my life is blowing apart, or {BR} maybe because it is, I begin to really find my voice and step into my artwork, {BR} my mother sees it and says, {BR} why is it so dark? {LG} Why aren't there any heads? {LG} It's getting harder and harder to do my consulting work. {BR} And even though I'm getting paid a fire hose of cash, {BR} I know that if I do this work for much longer I'm gonna die. {BR} Slowly. But I'm gonna die. And I realize I'm not just in the wrong job, {BR} or the wrong marriage, I'm in the wrong life. I don't want to do what other people want me to do or think I should do anymore. All I want is to make art. {BR} I'm an artist. {BR}
+
+And the week we separate, they tear down my family home of twenty five years. {BR} And my jeep gets stolen. {BR} I have this keychain with three keys on it, one to the house I don't live in anymore, {BR} one to my family home that's been torn down, and one to my jeep that's been stolen. {LG} {BR} God is banging on my hood. {LG} So I toss the keys, head to art school, and join my tribe. {NS}

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+So, about a month into my daughter's kindergarten career, beginning of her being in school, {BR} I was informed by her mother that her teacher was concerned {BR} about uh how she was doing and {BR} a month into kindergarten, {BR} you would think that there's not a whole lot that you need to know ha how to do, but apparently, {BR} my daughter was was giving her teacher cause for concern. {BR} And so at at the earliest opportunity, which was the parental uh observation day around halloween, {BR} I went in to observe the class, and uh it was all very familiar. {BR} And I it was clear to me what her teacher meant, {BR} even though it had been delivered to me in a really ambiguous and and hard to understand way. {BR} I I watched my daughter just be herself uh in this classroom. Kind of blissfully unaware of of what was expected of her. {BR} Um. It seems all very innocent, kindergarten and everything, but that's where they start training you how to be {BR} a part of society, which, if you're into that kind of thing, that's awesome {LG}. Um, but. {LG} You don't have much much choice though in this world, so I'm watching her and watching her like do her thing, {BR} and watching her teacher get frustrated with her to the point of like near anger just because she's not jumping to the next uh {BR} thing that's being assigned to her, because they have like little sections in the day or in the afternoon for they have to work on and uh, it was very familiar. Uh a nice thing that can happen with having children is that you can {BR} see yourself and you can be reminded of of of the progression of your own life through viewing them, {BR} and I was I was brought back to my experience beginning kindergarten and I I can see myself very clearly and my daughter we share a lot of {BR} similarities. And I remember being handed like rudimentary mathematics that you're supposed to start in kindergarten, and {BR} not being interested at all, so not even bothering uh it was it wasn't clear to me that you were that wa it was like required. Uh {LG} 
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+It was clear to me that she was kind of in the same place and uh, her teacher, besides rubbing me the wrong way, you know in a in a lot of ways, {BR} clearly didn't understand my daughter, I didn't want my daughter to stay in that school, I wanted her out. Um, {LS} and that could be just it it's hard to say when you're dealing with your children, because you know everyone thinks that their children are god's gift to the planet, you know. Or, sane people do. Sane people do. {BR} Um {BR}. So I I wanted her out I didn't think it was g it was a good place for her but I I didn't think anything was wrong with her. But of course I didn't because I'm her father and uh it's very difficult to see your children clearly because I I would I would like to say because of the uh incredible amount of love that you have for them but {BR} that's not totally honest because there's something besides the love, there's ego involved. {BR} Because there's such reflection of you, you want them to do good, you want them to be smart, you want them to be beautiful because you know you you're smart, and you're beautiful and you do good, {BR} you know, {LG} or that's how you want to perceive yourself in this world.  {BR} And you want your children, your offspring, to to to have that, that's maybe a little ugly, but it's true, and I think it's true for most parents. Um. 
+
+So I do love my daughter a great deal, {LS} and I love myself. {BR} And I wanted wanted her out of that school and uh, her mother, a very fine woman, um, brilliant a and beautiful, we're partnered in raising her, we're not partnered romantically, {BR} didn't want to uh hear me that that maybe that that the teacher had the problem because she was beginning a career as a teacher and she always heard parents talk about {BR} how how it was the teacher's problem and that they wouldn't be able to actually see their children, and I had no idea how hard it was to be a teacher with all these kids and {BR} blah blah blah. {BR} Not blah blah blah, I'm sure she had points, but we really {LG} we're very very good at disagreeing. We can disagree very strongly. But I can see myself in my kid. And I I can see myself sitting at the kindergarten desk that she was sitting at, I can see the similarities and a lot of the similarities come down to {BR} an attribute that is slowness. Like it real slowness. {BR} That uh we share. That has been like uh frustrating to teachers and {BR} parents and friends and lovers and roommates and {LG} any number of people. Um. {LG} 
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+For instance, like, {LG} it it it really can and often does take me an hour to put on my shoes, {LG} and {LS} I I can't tell you where the time goes, it's not like I got distracted and started playing records or something, like I can sit in the same place, {LS} putting on my socks and shoes for an hour, so can my daughter. We can lose weekends just sitting on the toilet, {LG} and uh if this apartment where I where I spent time with my daughter, there's only one toilet, so that, {NS} that's easy for me to see the similarities you know, um. Uh thinking about how we see our children, and how we see ourselves and our children, and how we want to see ourselves in a in a positive light. {BR} We don't want something to be wrong with our children. Um. It makes me think about a moment in time {LS} when I was seventeen years old and I was watching television with my father, {BR} uh a an episode of NOVA, it's like a science program that was on, I think it was on PBS, I don't know if it still exists. {BR} Um. This one was on neuroscience and neuro neuroscience technology and uh. {BR} They're had a guy getting prepared for a CAT scan, and {BR} being receiving a cat scan and it filled me with this crazy wave of uh of like deja vu, but not just regular deja vu, like deja vu mixed with dread and like sickness to my stomach. {BR} And I it was overwhelming, {LS} and I couldn't stop thinking about it. And wondering if like, did I have a CAT scan? So I turned to my father and asked him if I had a CAT scan. {BR} He said no and fell back asleep. {LG} And then uh, I couldn't get out of my head, and I started remembering more and more this experience of being a little kid and getting a CAT scan, and uh. {BR} um. I finally went to my mother, asked her, and she didn't want to talk about it, and I persisted, {BR} and she uh, she admitted that I had had a cat scan, when I was six years old, something like that. {BR} And I asked her why I'd had a cat scan, and she didn't want to talk about it, but she started laughing a little bit, and uh, which is weird {LG}. 
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+From where I was standing, you know, {LG} kind of filled with dread and having like this like repressed memory come up {BR} uh and uh. Finally she admitted I had had a cat scan, and she told me why, she said I was um, {LS} so slow {LG} that they thought that I was retarded. {LG} And I had been given a battery of tests to test my cognitive ability, and the tests were inconclusive, {LG} and they couldn't figure out, {LS} the jury's still out, trust me {LG} Um. But uh, the tests were inconclusive so they thought that maybe I just had a brain tumor {LG}, and uh so they were gon they that's why I got the cat scan. I don't know if you're ever had one but uh. I don't even like giving blood for a for a blood test. I don't, I, this is actually, thinking about it right now, probably {BR} exactly why I hate western medicine entirely, {BR} and will do anything to stay away from a doctor. Um. Well a CAT scan, they have to like, take your clothes, off, if and uh if you're little and you don't want to take your clothes off in a room full of strangers, {BR} and then they, this my memory is so, I don't know. I guess they inject something into your ankle, like an iodine solution, and then you they lay you on a table, {BR} and you get slid into a tube {BR} that sends whatever rays through your body to {BR} look into your brain to see what's going on, {BR} um, totally fucking terrifying. Like uh, I remembered trying to escape, I remembered screaming until I was hoarse, {BR} I remembered uh, my father coming into the room and talking me down, I remember having my clothes put back on and taken to the gift shop and my father bought me a book of {BR} animal limericks and and rhymes and photographs of the animals, all these animals from north america, black hard covered book, {BR} I remembered that book, and I had it through childhood, but I didn't remember anything about the CAT scan, after I left the hospital cause that it sucked that bad. 
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+Um my parents loved love love me love their children {LG} uh and uh, that couldn't have been anything but painful and frightening for my father too, you know, the whole situation. {BR} Um, and I I so I'm just thinking about what motivated them to go to that extreme {BR} to see what was wrong with me. Okay so it turns out that {BR} no brain tumor as a child, just slow. {LS} I'm just slow. {BR} I have figured out ways to live my life that it doesn't really matter. As far as survival is concerned, and actually, {BR} I've been able to thrive, you know, by degrees, {BR} and and uh. I I had to think about that so tempted to sing, so tempted to push it {BR} so past the time that she starts playing and I have to improvise a song on top of it to finish the story. {BR} I won't do that {BR} um. Just thinking about um, not doing that to my child, you know, having the f having the good fortune to have a child that's so much like me that I can take my experiences and and help her, at least in this moment, I don't know what the future holds, and I don't know who she's going to become, you know, but uh, {BR} I can use my experience in a way to to lessen her her {BR} potential problems in this world. Which is what you ultimately ultimately ultimately wish for as a parent. {BR} Um her mother went to talk to the teacher a couple weeks later, and came back horrified, and wanted to but she's not a violent person but she {BR} she wanted she wanted our daughter out too. So we took our daughter out of that school. She's now at a Steiner school, which really suits her much better, {BR} and uh we're both slow. 

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+I grew up a uh a huge fan of of the New York Yankees, which when I was very small involved going to games. maybe once a year with  my my father and my little brother watching uh Reggie Jackson and a little bit older watching uh David Winfield and I kind of came into my teens uh Don Mattingly who was you know my absolute favorite player and as I I went to high school in New York and {BR} it was kind of a turning point the first time that I went to a Yankee game by myself, and I started going to Yankee games by myself and it was at one of these games in the fall of nineteen ninety one that I went up to the stadium, bought a ticket {BR} to the bleachers and went and sat in the bleachers and I was watching {BR} um the game and noticed for the first time something that I'd I'd been to the stadium so many times before but I'd never seen uh this kind in right field wearing a Yankee uniform who was a bat boy playing catch with {BR} the right fielder and I'd never noticed the bat boy before and this kid could not play catch for his his life. He's throwing the ball over {BR} Jesse Barfield's head, the right fielder and he was one hopping him and I was like I I'm not a great athlete but I can play catch at least at least as well as this kid can {LG} and I don't understand why he has you know that job and and I couldn't. 
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+{LG} And so {LG} I went home that night and I tore a page out of the program that listed all the different you know Yankee executives and I wrote a hand written letter to everyone from Steinbrenner on down to Stump Merrill who was the manager at that point, and basically said my name is Matt and I'm {BR} sixteen years old and I'm a huge fan of the Yankees and {BR} you know I don't know if you can apply for this bat boy position but if you can I really would like an application and I'm so excited to hear from you that if I don't hear from you soon I'm gonna follow up with, with a phone call. so {LG} I sent these off and about two weeks went by and after you know two weeks I hadn't heard anything and so I picked up the phone and the s s the Yankee switchboard number was on the same list of executives and the secretary answered the phone "hello New York Yankees" and I said "Hi this is Matt McGough and I {BR} sent a letter in a couple weeks ago about applying for a bat boy position and nobody got back to me" {LG} So she's like, ok, well I'll take your name down and I'll have somebody get back to you and she took took my number down and another week goes by and I don't hear anything. So {LS} I pick up the phone again and I call and this woman answers the phone "hello New York Yankees" and {BR} I say "Hi, this is Matt {LS} you know, I sent some letters in about the bat boy position and I called last week and somebody was supposed to call me back but you know I thought it was kind of rude that that {BR} that they hadn't. {LG} And so she you know she laughed and she asked me "how old are you" And I said sixteen, and she laughed some more and I didn't really understand what she was laughing at, but {BR} you know she took down my name again, she said you know, I'll I'll make sure that somebody gets back to you, so you know a few days later sure enough in the mail, um a letter arrived on on Yankee letterhead, official letterhead, and it invited me to come up to the stadium for an interview with Nick Priori, who's the clubhouse manager. 
+
+{BR} So I put my jacket and and tie on, I don't even think I told any of my friends about this cause it was way way too weird to explain {LG} so {LG} I went and took the four train up to the stadium, and walked into the you know walked around the stadium and this is October, so they weren't playing in the World Series in October back in ninety one, so it was very, very quiet, and {BR} I walked around the Stadium and walked into the Yankee lobby and {LS} there's this security guard there and I {BR} introduce myself and I say I'm here for the bat boy interview {LG} and he picks up {LG} the telephone and he's like you know Nick some kid's here to see you and you know ok I'll and so he says have a seat, so I sit down in in the pinstripe lobby and I'm {BR} you know passing about ten minutes waiting for this guy Nick to come up for  the first job interview of my life, for the first job of my life, and I'm, you know, trying to think of the questions that he might ask me so I'm ready to uh {BR} tell him what my favorite subject is in school and {BR} tell him you know, why I think the Yankees need a big bat behind Mattingly you know, {LG} to win the pennant next year and what you know Mickey Mantle's batting average was in nineteen fifty six and like all these {BR} {LG} different questions and so you know, you know I'm kind of passing the time and these double doors burst open and this guy walks in, obviously Nick {BR} but he doesn't introduce himself he's, you know, could be anywhere from forty to eighty years of age {LG} he has this greased back hair and he's has a stogy between the two teeth left in his mouth and a chew of tobacco possibly also and this wife beater t-shirt and {BR} Yankee shorts and white athletic socks pulled up to his knees and he's shoe polish like uh black sneakers that are obviously like shoe polished and he just looks at me and says "are your parents gonna mind you taking the train home late at night?" {BR} {LG} So I say, you know, I take the train to school every day I think it I think it will be fine and he just kind of looks at me and finally I say, "no, I don't think my parents will mind me taking the train home late at night" and he says "well, come back opening day." 
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+So {LG} that was October, you know I go home, I think I have the job, {LG} I'm not really sure, and you know six months later Opening day nineteen ninety three {LG} I show up at nine A.M., I put on my jacket and tie, I walk back to the stadium, I go back downstairs, you know, through these tunnels, and come to this, you know, big steel door that says Yankee clubhouse and I walk inside and it's complete {BR} pandemonium and you know there's {BR} uh these ball players that I'd only seen before on T.V. are across rows and rows of stadium seats and like they're there in the flesh in front of me and Don Mattingly is there over {BR} you know on the right, and I had a poster of Don Mattingly above my bed, you know, for my whole life, and he's standing right over there and Jimmy Key, the ace of the pitching staff is over there and {BR} and all these guys and, you know opening day Yankee stadium is not just a sports event, it's a news event, it's the beginning of Spring, and {BR} in New York. And Mayor Dinkins is there with his entourage and like "it's Mayor Dinkins and Don Mattingly" you know, it's {BR}. So uh I'm walking around and kind of lost and I figure, you know I better go find find Nick so I {BR} walk up to Nick, and I say, Nick what do you you know what do you, I'm Matt, we met a couple of months ago, what do {LG} you want me to do? It's my first first day of work so. He says, "stay the F. out of my way" so I kind of like {LG} shrink back and throw my backpack over on the side and just kind of wandering around in a daze and I feel a tap on my shoulder. 
+
+{LS} I turn around and it's Don Mattingly, and he sticks his hand out and he says, "how's it going {BR} I'm Don Mattingly {BR} . Are you going to be working with us this year?" {LG} Which, you know, even at that moment, I'd never really thought about the experience in those terms, and he could have said so many other things that wouldn't have been as cool as that, like he could have said, you know, are you the, who are you, are you the new bat boy, are you gonna be working for us this year? But he said , you know, "I'm Don Mattingly, are you gonna be working with us this year" So {BR} I said, I know who you are, mister Mattingly, I'm Matt, I'm the new bat boy, and he's like "Great to meet you, Matt" {LS} {BR} I have a very big, very big job to ask of you. I've just unpacked all my bats fro from Spring Training and I don't know if it was the altitude of the flight up from Florida, or the humidity down there, or what, but the game starts in about two hours, and I need you to find me a bat stretcher. {BR} So I say ok, so I go {LG} I go and find Nick, {LG}, and I go you know, Nick is is busy, probably half a dozen ball players are like bothering him for double A batteries or, you know, my hat size, my hat's too small, or this or that, and I go up, and I'm like, Nick, I need a bat stretcher for Don Mattingly. And he lets loose with a stream of expletives that {BR} fell on I swear completely virgin ears {LG} like I never {LG} never heard that type of language in the movies before, or anywhere, let alone directed at me. So I kind of like rock back on my heels, and {BR} go and find somebody I can trust, like Nick's assistant Rob, and I ask him, you know, I need a bat stretcher for Don Mattingly, and {BR} Nick told me to go F. myself. And I {LG} I don't know what to do, so {LG} he was like, chill out, you know I saw Danny Tartabull using one in his locker. So Danny Tartabull's the you know, power hitting right fielder, {BR} I go to his locker, and I'm he's getting dressed in his uniform, and I stand off on the side, and he says, you know, how's it going? {BR} And I'm like fine. I'm Matt, I'm the new bat boy and I need a {LG} bat stretcher for Don Mattingly. And I heard you were just using one, so he's like, well I was using one but I left it in the manager's office you should probably go check in there. {LG} So I say, thanks, and he says see you around, and I go into the manager's office and walk in and Buck Showalter the manager is having a press conference with probably {LG} like eight or ten reporters. And I stand off on the side, and I'm kind of, you know. The conversation comes to a standstill basically because there's a sixteen year old kid there in his Easter blazer and jacket {BR} in standing in the manager's office  of the Yankee Stadium two hours before first pitch on opening day looking very lost and very anxious. And {LG} Showalter turns to me, and he's like "can I help you"? And I say, I I'm Matt, I'm the new bat boy. {LG} I'm really sorry to interrupt but {BR} I need a bat stretcher for Don Mattingly. And Danny Tartabull says that he left it in here. So {LG}. Showalter looks down, like beneath his desk, and you know, he's like, well you know, I do you need a right handed one or a left handed one? {LG} {NS} So this is the first moment all day that I actually, you know, this is the first question that I had that I could answer with complete confidence. Cause you couldn't have grown up in New York at that time you know without knowing that Mattingly was the best left-handed hitter in baseball. So I say, I need a left handed bat stretcher. {LG} So he's like, well, I think we maybe have a right handed one around here, but probably not a left handed one. {LG} And like you should try down at the Red Socks clubhouse and see if they have one {LG} . So I say OK, thanks you know, I'm sorry to interrupt. 
+
+I go off, at this point I'm like sprinting down the hallways, like the tunnels beneath the stands the first base stands of the stadium and I run into the Red Sox Clubhouse and find their equipment manager and give him like the whole story I'm Matt I'm {BR} the new bat boy for the Yankees and Danny Tartabull left his right handed bat stretcher in uh in Buck Showalter's office and I need a left handed one and like the game's about to start, and {BR} he's like, calm down. Like, you know, we don't have one but we need one, like here's twenty bucks {LG} go up to the sporting good store on one sixty first street and River avenue and buy two {LG} . Like buy a left handed one for Mattingly, and a right handed one for us and then bring me back the change. {LG} So he gives me the twenty, I put it in my pocket, I run upstairs, you know, at this point it's like an hour before opening day, {BR} the fans are coming down, like fifty thousand fans are coming down from, you know, the subway in the opposite direction that I'm walking, I'm the only person in the world who knows that, you know, if I don't come through on this mission Mattingly is gonna go up there against Roger Clemens and the Red Sox on opening day Yankee Stadium with a toothpick in his hand, basically {LG}. So. I'm like fighting against the crowd, and feeling so much weight on my shoulders, and I make my way, you know, and I'm about to cross the threshold of Stan's sporting goods when it dawns on me, like I've played {BR} a lot of baseball in my life, and I've you know, {BR} been a big fan for a while and like I don't even know what a bat stretcher looks like. {LG} And and it, this moment that I'm like walking into the store, it dawns on me for the first, first time, like is uh is this a joke? Like could this possibly {LG} could this possibly be a joke? And if it, you know, but I had so much fear because like if it is a joke and I like go back and I tell Don Mattingly you know, I'm too smart to fall for your you know, your B. S. bat stretcher story, {LG} and I'm wrong, I'm gonna be back in the bleachers, like before my very first game, you know, and and lose my dream job. So {LG} . You know, I take three laps around the stadium, kind of convincing myself like it's gotta be a joke, you know, like it's gotta be a joke and I you know I walk back, back in, I go down the stairs, I walk into the clubhouse, Mattingly winks at me from across the clubhouse a couple of other ballplayers laugh. {LS} {BR} Mattingly goes three for five that day, Yankees win, it was my first day in pinstripes. {BR} And uh, you know, I didn't learn until later on that I was the first kid in anyone's memory to have gotten the job without having a connection, without you know, somebody knowing somebody or my dad knowing somebody or {NS} or whatever, which was, you know, a lesson {NS} a lesson in itself, and {BR} you know, as intensely naive my pursuit of that job was, you know, I was probably as naively intense in chasing the bat stretcher, but {BR} {LG} you know  the lesson in the story is, you know, when there is {BR} , with a great deal of persistence, and a little bit of common sense, even if the thing you're chasing may not exist, you can sometimes will it into being. Thank you. {NS}

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+I grew up in a really small town in Alabama. {LS} {BR} And my sister was and is to this day a remarkably beautiful woman. And I was always really good in school. {LS} {BR} {LG} So it fell into this pattern with my family where people would say things like "she's the beauty you're the brain" {LS} And among my almost anorexically petite friends growing up {BR} {LS} at five foot five a hundred and forty pounds it was universally acknowledged {BR} that I was the fat one. {LS} {BR} The whole thing really started in first grade I have to say. There was a weigh in in school. {BR} {LS} My best friend Nan Coley who was going to go on to become the head cheerleader of our high school hopped on the scale, {BR} and weighed forty five pounds. {BR} But when I jumped on, the needle cropped uh creeped up to fifty. {BR} {LS} And I looked over and I could see Nan looking at me in horror, not just for me but for herself. {BR} And she suggested right then and there that I go on a diet. And so I did. {LS} {BR} For the next twenty years. {BR} I would never wear a bathing suit without putting a t-shirt over it first. {BR} I would never change at a sleep over party without getting in a sleeping bag. {BR} I would never let a lover see me naked with the lights on. {LS} And not once did I ever stand in front of my closet {BR} to pick out an outfit with any other intention other than to look as thin as possible. 
+
+{LS} {BR} Now along the way well meaning people tried to help but just made things worse. {BR} Such as my stepmother, the Baywatch extra, who decided when I was eleven {BR} you know, {LG} at eleven years old she decided to give me a makeover but the result was something like if you put blue ah eyeshadow and frosty pink lipstick {BR} on a cabbage patch kid. It wasn't good. {LG} But somehow I managed to get through high school and college, {LS} and at age twenty six I packed up my baggage {BR} and moved to Southern California, {LS} {BR} where {BR} surprisingly I actually got better {BR} there was something about, like all the you just extreme views that people had about their body, all the fake everything, {BR} um and the bleach blonde hair that made me kind of give up {BR} {LG} I think I kind of, I think I kind of threw in the towel, and so I joined the gym down the street because it was cheap, {BR} and I discovered that lifting weights could be actually fun because you would get strong,  {LG} and then with my newfound muscle tone I put on shorts for the first time ever and went for a hike which led to a run and then when food was no longer the enemy I started cooking {BR} healthy food {BR} and after six months I actually lost twenty pounds. {BR} And one day I was getting dressed to go out and I actually glanced in the mirror, which of course I usually avoided, {BR} and um I realize, I almost didn't recognize myself. And I I I examine myself from head to toe standing there in my bra and panties {BR} and discover that I actually couldn't lose any more weight, {BR} and I actually look pretty darn good. 
+
+{BR} Now, around the same time my boyfriend was back in Boston, and he had decided to produce an independent film. {LS} And he was begging me to come back east to produce the film for him. {BR} But in order to do that, I calculated that I was going to have to raise two thousand dollars over the next four months somehow extra. {BR} Which my eleven dollar an hour temp job really wasn't going to produce. {LG} {BR} So I went out and got a copy of the L. A. Times, and as I was perusing the ads for like you know chuck-e-cheese night manager and you know {BR} evening legal secretary work, I saw an ad that said, {BR} dancers wanted. {LS} {BR} earn up to five hundred dollars a night {LG} .  Now, you know you have to understand that I cannot dance. I'm somewhat famous among among my friends for having tripped over my own feet when I was in college in Boston and actually knocked myself unconscious on the sidewalk. {LG} It's true. {BR} So I ignored it and went to the other ads but I kept coming back to it, like five hundred dollars a night! {BR} So I threw down the newspaper, {BR} and I ran to my room, and and examined my butt carefully in the mirror, like, could it be that my butt was good enough? {BR} And I picked up the phone, and made and appointment with a woman named Samantha. Now {BR} my best friend Steve was very against this. He said, Catherine, your newfound self esteem has been too long coming and too hard won {BR} for you to risk it all because some bitch down at the strip club doesn't think you're good enough! And I knew he was right, but I somehow couldn't stop. I just had to see {LG} . 
+
+So {BR} the next day, I put on my sluttiest outfit, and made my hair huge, and put on like all the make up I owned and I went down and as I walked into the club, the most beautiful woman I've ever seen to this day was pulling herself upside down, naked, up a pole, with grace. {LG} And I was like, what am I doing? But just then I heard someone say, {BR} "you must be Renee!" Now, Renee was a totally insane alcoholic legal secretary that I worked with, {BR} and I think I was hoping to channel her so I picked that as my fake name. {BR} {LS} And I said, yes, I'm Renee, {BR} and I thought there was going to be all these questions, and I had to memorize this detailed like personal history that was all a lie {BR}, but she just took one look at me, and said, when can you start? {BR} So {BR} while I wanted to in my head I was thinking, like no way! {BR} um I was like, how about Monday? And she said ok. {BR} {LS} Over the weekend I went out and bought a brand new pair of silver panties and a silver push up bra and these really amazing silver high heels. {LS} {BR} Now my Steve was still trying to talk me out of it, he was like "Catherine, {BR} the smarter the stripper the more they hate stripping. What are you gonna do when some asshole comes up to you and says, hey, you're pretty hot {BR} . Do you want to give me a blow job afterwards in the parking lot? {BR} You're going to want to tell him to fuck off, but what you're going to have to do is go, Well, I'll get fired if I do that but I'll be fantasizing about it the entire time you're on I mean I'm on stage" {LG} {BR} And he said "do you think you can do that?" And I was thinking, you know, for five hundred dollars a night maybe I can! {BR} {LS} 
+
+So {BR} um so uh so uh insanely that Monday morning I actually went to work at my temp job, and so at five o'clock I got off {BR} and showed up at the club wearing my temping outfit which was these very baggy awful black pants, and a little sailor top, my hair you know very straight {BR} and my glasses. {BR} And as I walked it I was told to go over and tell the D.J. what my song would be. {BR} {LS} And I walked over and I was like "Hi, I'm the new girl {BR} I'll be dancing to Alanis Morisette {BR} {LG} and he was just like, alright {BR} and he says, the dressing room's over there." And I looked at the dressing room and suddenly I realized {BR} that behind that dressing room were probably ten drop dead gorgeous women {LS} {BR} and I was like oh my god and so I looked at the door, and I looked at the door of the club, {BR} and just then, I heard "hi, you must be the new girl. I'm Chloe" And I turn and to my right {BR} was this little Patricia Arquette sort of knock off girl and she was wearing {BR}  stars on one boob and spangle on the other and one of these seventies style bikinis, {BR} with a little silver skirt and she was adorable {BR} um {LS} she was like "hi I'll show you the way" So Chloe grabs me by the hand, drags me off and leads me into the dressing room. {BR} And I start getting dressed with the other girls, and actually the other girls were pretty nice. Um and so they explained to me the rules of the club, which I hadn't known before, {BR} um in the first place the first song, you did you know in your bra and panties, and little and whatever you wore after. But the sec And they were like the the  "only the second song {BR} is topless" And I was like "the second song is topless." I think {BR} I think the whole time I'd been picturing that I'd just go out onstage and flit around a little and at the very end I'd drop my bra and run. {BR} {LS} But no! You had to be topless for an entire song, and I'm like "oh no" but I was like, ok, and they were all looking at my like you can't back out. So like I'm taking off my clothes and everybody's just naked {BR} and so just then um the D.J. who's this you know, three hundred pound man named Rudy {LS} {LG} comes into the room {BR} and he says um and he's like "Hey girls" and all of the girls are kind of like "aaaah! Rudy! Get out Aaaah!" {LG} {BR} {NS} And {BR}  like, I'm naked! And like but I didn't even care. And and I realized at the time that maybe I'd gone somewhere that I'd never been before mentally and maybe I was gonna get through this night. 
+
+{BR} Um so Rudy leaves, and um I'm starting to get dressed and the girls go, no, you can't wear these silver panties, you have to wear a g-string, and I was like, oh no, I don't have a g-string, well, bye, bye bye! {BR} Um {LG} but {LG} {LS} Janee {BR} was this leggy blonde {BR} from Texas whose claim to fame was that she stripped into her sixth month of pregnancy {LS} {LG} Janee says, "hi um I just washed mine, here  you can borrow this" and she throws it at me and I'm like "alright" . So I'm putting on a strange girl's g-string {BR} {LG}  and I put it on, and the girls, um help me do my hair, and like make it huge, {BR} and they put on my make up and like fake eyelashes, and all this stuff, {BR} and up I was ready to go, and as I walked out I glanced in the mirror. And I have to say that I looked {BR} unbelievable. {BR} {LG} So {BR} {NS} Thank you {BR} {NS} So {NS} um {NS} so I go out and I go back out to Rudy, {BR} and I'm like, hi, I'm ready for my song, and he looks at me and he's like {BR} "Holy shit box! all that was under there?" And I was like {BR}  "Thank you!" {BR} {LG} um  {LG} So then um Chloe starts giving me a tour of the club, and as we she's doing this, {BR} this guy comes up to us on crutches, {BR} he'd uh he claimed he'd been shot in a gang fight {LS} and he comes up to me and he goes "you're pretty hot, ya know I'll put you in a music video if you'll give me a blowjob after the show" {BR} And I'm like, Steve, you know, and um Chloe says, you know, grabs you know jumps back and screams "Fuck you! she's a stripper not a goddamn whore!" And I was just like, nice!! {LG} Nice. So {LG} {LS} then um so then we walk back out and uh and it's horribly the beautiful woman, from like the audition day, um {BR} was out on stage again and she was an incredible dancer and she's running around and I'm just like {BR} uh oh my god and so I could tell Chloe I'm like you know I'm really a little nervous {BR} and she goes "no no no, you'll have no problem." She's like "it's not the best dancers who make all the money {BR} It's the girls who can really connect with the men, who can look from guy to guy to guy and make the guy think they're only looking at them. {BR}" Um "and it's really not being about a dancer, they just want to see you nude up there, um but the biggest problem you're gonna have {BR} is that you're gonna get bored. " Now {BR} being bored {BR} was not something that occurred to me as it was going to be a problem {LG} She's like "no, you know, I have a special trick, it's called the drop and role. {BR} So what you do, you know, is you go out there and you sort of like slowly slowly slowly slowly lower and like slowly slowly slowly roll around, she's like they'll picture you rolling around in their beds, {BR} and then slowly slowly slowly slowly stand back up, and if you do it slow enough it could take like two minutes!" And I was like great! {LG} 
+
+Um {BR} so I go out, and um so then Chloe has to do her song {BR} {LS} and I go and I sit down near the door {BR} and um I get a coke to drink because I didn't want to drink alcohol because I had to drive home, like I'm such a nerd, and so I sit there, and um all of a sudden like it was a really cold night, and um the wind blew in and I got really cold, and of course I hadn't eaten  for like three days, cause I was so nervous, you know kind of like today, and um, so I was like I started to freak out and I looked up and I was just like, "what what am I doing?" And so I go over to Chloe, who's come off stage now, and she's sitting {BR} next to um mister shot in the leg guy like they've made up now they're friends again {BR} {LG} and so I go over and I'm like "hi" {BR} "you know, like you have been so great, and thank you so much, but I just realized, that {LS} like I can't dance, {BR} so I'm going to go home, and practice, and I'm gonna come back. {LS} And Chloe looked at me {BR} right in the eyes, and she said "if you walk out of that door, right now, {BR} you will never come back, and you will regret it {BR} for the rest of your life." {BR} And I knew that she was right. {LS} {LG} And just then mister shot in the leg guy reaches out like under the little dress I'm wearing and grabs my bare ass. {BR} And you know just squeezes it and he slaps me in the ass and he says {BR} you know "This is the worst, you feel this, this is the worst thing that's gonna happen to you all night, and he smacks me and he goes "now get out on that stage" and I was like "Alright!" {LG} {NS} {BR} {BR}  And so, so I went out onstage and you know so I went out and I walked over and there was a pole, and so I sort of swung around the pole, and like Chloe's running around getting everyone to yell and scream {LS} a very supportive friend {BR} and um so like I'm running around and um but and all of a sudden, insanely, I run out of things to do. {BR} And I'm like oh! the drop and roll! {LG} So I'm like lower lower lower lower lower, roll roll roll, and as I'm rolling around I feel something hit my cheek. {BR} And I'm like oh my god, I'm so bad, they're throwing napkins at me {LG} And but I turn my head to the right onstage and I open my eyes, and I saw that it was a dollar bill. {LG} And i was like, oh and so then, I like lean off like this, and I see standing above me is mister shot in the you know gang fight man and he's standing over me with a roll of ones pulling them off and dropping them down on top of me {LS} . And all I could think {BR} was I swear to god was what would my ophtha ophthalmologist father back in Alabama think, if he could see me right now. {BR} {LG} So um, but then like everyone was throwing money, and it was amazing and so I got up {BR} {LS} and then it came to finally be the dreaded topless song, {BR} and so I went to the special topless part of the stage, and the song started, {BR} and um I unhooked my bra, very slowly, and slowly the strap and slowly the strap {BR} and then I let the bra drop to the floor, and I stood there in front of a hundred and fifty people, {BR} wearing only a g string. {LS} {BR} The whole crowd went nuts. And I have to say, {BR} it was one of the most amazing moments {BR} of my entire life. {NS} um {BR} {NS} {BR} No one in that club gave a shit what I made on my SAT. {LG} No one cared that I was a straight A student. No one cared that I was in the gifted class when I was eight. They just wanted to see me nude. It was so cool. {LG} {LS} {BR} 
+
+I never went back to the club after that night. {LS} In the first place, security was pretty lax. {BR} Um Chloe kept making like like little passing remarks {NS} Ok. Chloe {BR} Chloe kept making remarks about how "only a few of our friends have been killed by customers" which I found disconcerting. {BR} Um but the worst part was ah the next day at work, walking across the sony lot, I suddenly was examining every strange man that passed me I was noticing them and checking them out. {BR} And um, I've always been one of and they they seemed kind of yucky to me {BR} Um I was sort of it's like every man was suddenly a customer. {LS} I've always been one of those women that really loves men, and I thought, if this is what I'm like after three hours, what am I going to be like after three months, or three years? {BR} Um, but several good things came out of it. In the first place, one of the customers taught me this really cool trick, which is if a guy's pawing you, you hold his hand, cause he thinks you're holding his hand, {BR} but what you're doing is you're holding his hand off of you {BR} {LG} This came in super handy the next summer, in my ba uh career as a film producer. {LS} {BR} Um but the best thing of all is that {BR} to this day any time I'm having a fat day {BR} or I've just broken up with someone, or I'm just feeling a little down about myself, {LS} all I have to do is open the door and peek into the back of the closet where I still keep those silver high heels {BR} , and I know in my heart that everything {BR} is gonna be ok. Thank you {NS}

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+In all honesty I'm gonna start out by admitting I sometimes lie. {BR} {LG} Occasionally I'll include a lie in the story I'm telling if I think it'll make the story better. {BR} {LS} I don't do it to protect the innocent, because I don't know any stories where the people in them are innocent. {LG} And I don't do it to be shocking either. {BR} Though I admit to {BR} to once telling a story where I exaggerated the length of my penis. {LG} In my own defense I exaggerated down and not up. {LG} And I did it for the laugh, you {BR}. {LG} The story I'm telling you tonight does not have a lie in it. {BR} Or many laughs for that matter.  When I'm done telling you this story you may think it's nothing but a lie {BR}. But I'd ask you to trust me on this. {LS} 
+
+At the age of nineteen, {LS} I fell prey to a powerful and deeply corrupting influence. It dogged me for six years, {LS} costing me many a friend, and in process bringing my family to ruin. {LS} It crippled me to such an extent that I have spent the intervening fifteen years recovering from it. The influence I speak of is hope {LG}. Now you should know at the get go there's nothing in my childhood to suggest I might find myself on such a wayward path as that. My parents loved me terribly. They taught be right from wrong, {BR} they taught me to be courageous in the face of bullies, they taught me patience and forgiveness, they taught me that love would see you through any misfortune. 
+
+{LS} {BR} My trouble began on independence day. Not the independence day but my independence day. {BR} My independence day occurred on memorial day, nineteen eighty two. {BR} That was the day I told my family I was gay. {LS} {BR} The act itself "mom, dad, I'm gay"  {LG} {BR} was relatively unexceptional. In fact it should have been more exceptional, and I've always sort of wished that it had been. {BR} {LS} However subsequent events overshadowed it and it pales by comparison. {LS} {BR} The subsequent events occurred in my absence, after the fact, as I was in my car {BR} driving back to college to take my final freshman exams. {BR} I remember being on the highway and thinking how, you know I kind of expected my parents to freak out a little {LG} and, you know  to my surprise they had not freaked out, they'd been calm and cool and collected {BR}  oddly calm and cool and collected, but still I was really happy as I drove back to school. {LS} Meanwhile subsequent events were busy unfolding back home. {BR} My mother was going through the house where I grew up and was gathering together things I'd made for her. Um a jewelry box when I was in four H, {BR}  and a painting when I was sixteen. Um a box of letters or a box containing the letters that I'd written them from school, which I used to do every week. {LS} She was removing photographs from the walls and placing them in little piles around the house {BR} and she was directing my father who never dared not follow her direction {BR} to take the bed and the desk and the chair and the lamp and the Smith Corona, {BR} my smith corona even {BR} , and to put them all in the front yard, {BR} next to the rock garden not too close to the maple tree. {BR} {LS} My clothes, my books, my bookcases, {CG} my report cards, my Farah Fawcett posters, my shoes, {BR} three years worth of interview magazines, the good ones with the Andy Warhol covers, {LG} everything. {LS} Then with my brother and my sister and my grandparents watching, {BR} my mother removed a cigarette from this tiny crocheted case she always kept them in. {BR} And she lit the cigarette, and then she took the match and put it to the pile of things there in the front yard that contained the soul and complete record of my existence in my family. 
+
+{LS} It burned for seven and a half hours {BR} thanks in part to the addition of some lighter fluid to help get the larger pieces of furniture going. {LS} All of it all that was me prior to that memorable memorial day, {BR} {NS} up in flames. {LS} According to my sister who years later recounted these details to me {BR} it was a {BR} mighty impressive blaze {BR} {CG}. In their eagerness to feed it, {BR} and due to an unexpected wind off the fields around the house, {BR} the sugar maple that was older than my great grandfather caught a spark in its branches, {LS} and was sacrificed. {BR} {LS} They {BR} cut off all communication with me. {BR} They emptied and closed our joint bank account {BR} there goes college, {BR} they barred the door, they stopped talking, stopped answering my letters, stopped taking my calls. They stopped anything with me. They just stopped. {LS} I was {BR} completely disbelieving. I mean this didn't make any sense. Uh All of my friends had you know stories about telling their families they were gay, and they all ended the same way. Sooner or later everything worked out fine. So {BR} . I even had a friend named Neil whose parents had done the same thing, you know, and first they'd stopped talking to him. {BR} But one year later they were inviting his new boyfriend to come home with him for the holidays. {LS} Everyone counseled me to "have a little patience" and "have a little hope." 
+
+And this is how it starts. Slowly, just a little hope, just enough to get you through. {BR}  But hope is cumulative. {BR} A little bit here and a little bit there, it builds up in the system until it becomes something toxic. Denial. {BR} I mean, their reaction had been, yes, extreme, but not the worst that could happen. The thing to do was to be a good son, to make them proud, to earn back their love. {BR} {LS} So I got a job. And then another and then a third. Three shifts, three restaurants. {BR} Six days a week. {BR} That would show them. {LS} But they weren't watching. {BR} I wrote them letters, lots of letters. {BR} About nothing you know. It's uh  Tuesday and it's hot, {BR}  or my new roommate is named Kathy. Or my friends took me out for my birthday yesterday. They didn't write back. {BR} Living for me sort of came to a halt. {BR} Um despite the fact that my life just went on and on. {BR} I didn't think about my future, I didn't think about my needs, I didn't think about my sadness, I didn't think about any of it, I didn't have to because I had hope, everyday, whispering in my ear {BR}  "don't give up, don't walk away. {BR}  You're almost there. Don't stop, don't grow, don't develop. Don't, don't worry. Just don't make any sudden movements or you'll blow it." 
+
+{SL} {BR} Uh so six years went on like this without a word from them. {BR} {LS} So finally, {BR} hurt and confused beyond my ability to hold it in, and frankly finding it really difficult to maintain the illusion that this was temporary {BR}  I {LG} decided to kind of make one more attempt, to force the issue. {LS} so I I flew home and showed up unannounced at my mother's office. {LS} It was an amazing visit. Excuse me. {SL} {LS} I asked the receptionist to {LS} to page my mother and tell her she had a surprise visitor {LG} And I stood there in the lobby, and I remember seeing my mother come down this long hallway toward me. {LS} And she was walking and then she sort of looked up, and she saw me, and then she recognized who it was, {LS} and she turned and walked away again. {BR} It was a really amazing ninety second visit. {LS} {BR} Two and a half weeks later, a black {BR} funeral wreath was delivered to me at my office, with a note that said "in memory of our son."  
+
+{NS} {LS} Clearly it was time to give up hope and take up therapy. {BR} {LG} So I uh {BR} I talked to a counselor who asked me why I had invited this turmoil into my life?  {BR} I uh I talked to a minister who suggested a Christian youth camp, {LS} {LG} I {LG} I talked to a lesbian who offered to slash my mother's tires if I'd pay for her flight there {LG} I signed up for scream therapy where I beat pillows with tennis rackets and screamed obscenities {BR} and you know pulled a muscle in my shoulder {BR} . Mostly I talked to friends {BR} and mostly the pain persisted. {BR} The sheer weight of it nearly crushed me, or at least that's how it felt at the time. {BR} Since it was my constant companion I spent {BR} most of my time turning it over in my mind {BR} fingering it like some sort of psychological worry stone. {LS} Over the years, it's been eroded by so much handling. All that remains now is a small, {BR} hard, {BR}  nearly weightless pebble really. Worn away is most of the anger, and much of the hurt. But one question remains: {BR} how was it possible that they taught me love and loyalty in excess of that which they themselves possessed? 
+
+{LS} I have {BR} come to believe that it's not possible to understand {BR} what they did, not possible for me anyway. {LS} To understand it would seem to {BR} indicate that there was some justification for it. And I know for certain that there is not. {LS} Still {BR} there's no escaping my parents, this um this thing they did, this extreme {BR} and unfathomable and many layered thing they did tore a hole in the middle of my life. {LS} I have spent years and a lot of money {BR} darning that hole while trying to keep the rest of my world from unraveling. And yet their influence on me is enduring. {BR} {LS} My parents loved me terribly. {BR} {LS} I have been courageous in the face of bullies. {BR} There is such a thing as too much patience, but no such thing as too much forgiveness. {BR} And love has {BR} seen me through every misfortune. {NS} thank you {NS}

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+I reached over and secretly undid my seatbelt, and when his foot hit the brake at the red light {BR} , I flung open the door {BR}, and I ran. I had no shoes on, I was crying, {BR} I had no wallet, but I was OK because I had my cigarettes. {LG} And I didn't want any part of freedom if I didn't have my cigarettes. {BR} When you live with someone who has a temper - a very bad temper, a very, very bad temper, {BR} you learn to play around that. {BR} You learn {BR} "this time I'll play possum" {BR} and "next time I'll just be real nice" or {BR} "I'll say yes to everything" or {BR} you make yourself scarce or you run. And this was one of the times when you just run. {BR} And as I was running I thought this was a great place to jump out, {BR} because there were big lawns and there were cul de sacs {BR} and sometimes he would come after me and drive and yell stuff at me, {BR} to get back in, get back in, {BR} and I was like "no, I'm out of here".  {BR} This is great, and I went and hid behind a cabana and he left. {LS} And I had my cigarettes. {BR} And uh {BR} I started to walk in this beautiful neighborhood. It was ten thirty at night. {BR} And {BR} it was silent. And lovely. And there was no sound except for sprinklers. {BR} Ch ch ch ch brrrrrrrr ch ch ch ch brrrrrrrr. {BR} And I was enjoying myself and enjoying the absence of anger and enjoying these few hours I knew I'd have of freedom. {BR} And just to perfect it, I thought, "I'll have a smoke", {BR} and then it occurred to me, with horrifying speed, "I don't have a light!" {LG} 
+
+Just then, as if in answer, I see a figure up ahead, who is that? It's not him, OK. {BR} They don't have a dog, who is that? What uh what are they doing out on this suburban street? {BR} And the person comes closer and I could see it's a woman {LS} and then I can see {BR} she has her hands in her face. Oh she's crying. {BR} And then she sees me and she composes herself, {BR} and she gets closer, and I see she has no shoes on. {BR} She has no shoes on and she's crying and she's out on the street street. I recognize her, though I've never met her. {BR} And just as she passes me she says {BR} "you got a cigarette?" And I say "you got a light?" {LG} And she says "damn I hope so." {BR} And then sh first she digs into her cutoffs in the front, nothing, {BR} and then digs in the back and then she has this vest on that has {BR} fifty million little pockets on it and she's checking and checking and it's looking bad, it's looking very bad. {BR} She digs back in the front again, deep, deep, and she pulls out a pack of matches that had been laundered at least once. {LG} Eck.
+
+We open it up and there is one match inside. {BR} OK. Oh my god. {BR} This takes on - it's like NASA now, we got to like, oh how are we gonna do it, {BR} OK, and we we hunker down, {BR} we crouch on the ground, and, "where's the wind coming from?" We're stopping, {BR} I take out my cigarettes, let's get the cigarettes ready. "Oh, my brand," she says, not surprising. {BR} And we both have our cigarettes at the ready. {BR} She strikes once, nothing. She strikes again, yes! Fire, {BR} puff, inhale. Mm, sweet kiss of that cigarette. {BR} And we sit there, and we're loving the nicotine, and we both need this right now. I can tell the night's been tough. {BR} {LS}
+
+Immediately we start to reminisce about our thirty second relationship. "I didn't think that was going to happen!" "Me neither!" "Oh man that was close!" {BR} "Oh I'm so lucky I saw you!" "Yeah!" {LG} {LS} Then she surprises me by saying "what was the fight about?" {LS} And I say "wha what are they all about?" And she said "I know what you mean". {BR} She said "was it a bad one?" And I said "you know, like medium." {LS} She said "oh" {BR} and we start to trade stories about our lives. {LS} We're both from up north, we're both kind of newish to the neighborhood (this is in Florida), {BR} we both went to college, not great colleges, but man we graduated. {LS} And I'm actually finding myself a little jealous of her because she has this really cool job {BR} washing dogs. {BR} {LG} She had horses back home and she really loves animals and she wants to be a vet and I'm like "man you're halfway there!" {LG} {LG} {LS} I'm a waitress at an ice cream parlor so um that's not I don't know where I want to be but I know it's not that. And then it gets a little deeper, and we share some other stuff about what our lives are like. {BR} Things that I can't ever tell people at home. {BR} This girl, I can tell her the really ugly stuff, and she still understands how it can still be pretty. She understands like, how nice he's gonna be when I get home, and how sweet that'll be. {BR} {LS}
+
+We are chain smoking off each other. "Oh, that's almost out, come on!" And we we go through this entire pack until it's gone {LS} and then I say, "you know what uh this is a little funny but you're gonna have to show me the way to get home. Because although I'm twenty three years old I don't have my driver's license yet {LS} and I just jumped out right when I needed to." {BR} And she says "well why don't you come back to my house and I'll give you a ride?" I say "OK great!" {LS} and we start walking. And uh, we get to this, um, lots of, uh, lights, and uh the roads are getting wider and wider and there's more cars {BR} and I see um lots of stores, you know laundromats and dollar stores and emergecenters and then we cross over US one and uh she leads me to some place and I think "no!" {BR} But yes. Carl's efficiency apartments. This girl lives there. And it's horrible and it's lit up so bright, just to illuminate the horribleness of it. {BR} It's the kind of place where you drive your car right up and the door's right there {BR} and there's fifty million cigarette butts outside {BR} and there's like doors one through seven and you know behind every single door there's some horrible misery going on. There's someone crying or drunk or lonely or cruel. {BR} And I think "oh god she lives here, how awful." {BR} We go to the door, door number four, and she very, very quietly keys in. {LS} {BR} As soon as the door opens I hear the blare of television come out and on the blue light of the television {BR} the smoke of a hundred cigarettes in that little crack of light. And I hear the man and he says, "where were you?" And she says, "never mind, I'm back." And he says, "you alright?" And she says, "yeah I'm alright." {BR} And then she turns to me and says, "you want a beer?" And he says, "who the fuck is that?" {BR} And she pulls me over and he sees me and he says "oh, hey". I'm not a threat. {LS} {BR} Just then he takes a drag of his cigarette, a very hard hard drag, you know the kind that makes the end of it really heat up hot hot hot {BR} and long and it's a little scary {BR} and I follow the cigarette down because I'm afraid of that head falling off, {BR} and I'm surprised when I see, in the crook of his arm, a little boy, sleeping. A toddler. And I think {BR}. And just then the girl reaches underneath the bed and takes out a carton and she taps out the last s pack of cigarettes in there, {BR} and on the way up she kisses the little boy, and then she kisses the man, and the man says again, "you alright?" And she says, "yeah, I'm just going to go out and smoke with her." 
+
+And so we go outside and sit amongst the cigarette butts and smoke. And I say, "wow, that's your little boy?" {BR} And she says, "yeah isn't he beautiful?" And I say, "yeah he is, he is beautiful." {BR} "He's my light, he keeps me going," she says. {LS} {BR} We finish our cigarettes, she finishes her beer. I don't have a beer cause I can't go home with beer on my breath. {LS} {BR} And she goes inside to get the keys. {LS}  {BR} She takes too long in there getting the keys and I think something must be wrong and she comes out and she says, "look, {BR} I'm really sorry, but um, {BR} like we don't have any gas in the car, it's already on E and he needs to get to work in the morning and um {LS} I you know I I'm gonna be walk to work as it is so what I did was though here look I drew out this map for you, and you're really, you're like a mile and a half from home, {BR} and um if you walk three streets over you'll be back on that pretty street, and you just take that and you'll be fine." {BR} And she also {BR} has wrapped up in toilet paper seven cigarettes for me. {LS} A third of her pack, I note. And a new pack of matches. And she tells me good bye and that was great to meet you and how lucky and that was fun and, you know. Let's be friends. And I say, "yeah, ok" {BR} and I walk away {BR} but I kind of know we're not going to be friends. {LS} I might not ever see her again. And I kind of know, I don't think she's ever going to be a vet. And I cross, and I walk away. {BR} And maybe this would've seemed like a visit from my possible future and scary, but it kind of does the opposite. On the walk home I'm like, man, {BR} that was really grim over there. And I'm going home now to my nice boyfriend and he is gonna be so extra happy to see me. And {BR} we have a one bedroom apartment, and we have two trees, and there's a yard, {BR} and we have this jar in the kitchen where there's like loose money that we can use for anything like we would never ever run out of gas, {BR} and um I don't have a baby. You know? So I can leave whenever I want. 
+
+{BR} I smoked all seven cigarettes on the way home. {BR} And people who have never smoked cigarettes just think ick, disgusting, and poison. But unless you've had them, {BR} and held them dear, you don't know how great they can be. {BR} And what friends and comfort and kinship they can bring. It took me a long time to quit that boyfriend. And then to quit smoking. {BR} And uh, sometimes I still miss the smoking. {NS}

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